Classical Still Life in Oil with Sarah Siltala

"Bird Haiku II" by Sarah Siltala
CLASSICAL PAINTING, INDIRECT PAINTING, OIL PAINTING, STILL LIFE, PAINTING FROM LIFE, TRADITIONAL REALISM
Please share this opportunity with anyone you think might be interested!
LEARN TO PAINT THE STILL LIFE FROM LIFE!
- Instruction is relaxed, in my home studio
- Sarah will teach you how she paints the still life from life, using traditional oil painting techniques
- Learn how indirect painting techniques improve the realism and paint quality in your artwork
- Maximum of 10 students allows ample one on one time with the instructor
- Artists of all skill levels are encouraged to come and learn
WHEN: May 4, 5, 6, 7, 8 in 2019, 9:30am - 4:30pm, plus an optional trip to the National Gallery of Art in Washington, D.C. May 9, to enjoy select still life paintings there with Sarah Siltala. There is no additional fee for this outing. You can meet us there or travel with us via the Metro from Ashburn, VA. All workshop participants are invited.
WHERE: Ashburn, VA
Tuition = $485
Tuition includes use of easel if you don't bring one, a space to set up your still life, and lighting
Also, a gift from DebKArt Home Studios: snacks, beverages, light lunch
.
$485 PayPal:paypal.me/DebKArt
.
Payment in full is required to reserve a spot in the workshop, and you are committing to find a suitable replacement if you cannot attend for any reason. Less than 60 days before workshop dates, we will not be able to give refunds of any kind. For workshops with waiting lists, we can offer full refunds up to 60 days prior, minus the PayPal or Square Register fees if you paid using those methods.
NOTE: I do not advise the booking of non refundable travel and lodging tickets prior to 60 days before the workshop. I will contact students before the 60 day mark, in the unlikely event we will not be able to hold the workshop as scheduled.
~~~~~~~~
Each day, Sarah will give a short explanation of the day's lesson, followed by a painting demonstration. On May 9, 2019, she will also be visiting the National Gallery of Art in Washington, D.C. All students are invited to join her. You can meet us there at the museum, or commute with us from Ashburn to the National mall, via the D.C. metro system. Of course, the museum visit is optional.

"Memento II" by Sarah Siltala
Here is Sarah's Description of the workshop:
This workshop will concentrate on developing the skills required to create a still life in the classical indirect method.
Indirect painting is a process where the elements of painting are broken down into individual steps.
Each day of the five day workshop will concentrate on a different element: drawing and design, capturing value, creating luminous color, and finishing details. Learning about color and the properties of different oil paints, whether transparent or opaque, will aid the artist in achieving realistic form and depth. You will learn how to capture realism by studying light and shadow, capturing a full range of values and layering rich color.
Mornings will be spent on exercises to strengthen skills in layering paint; blending and brushwork, rendering light and shadow on a lit form, and glazing transparent color. The afternoons will be spent using the skills practiced to create a still life.

"Pitcher and Pears" by Sarah Siltala
Visit Sarah's website at:
.
For more information please contact:
Debra Keirce
571-236-0047

"Abundance" by Sarah Siltala
Oil Painting Material List
Support:
Masonite with four coats of acrylic gesso or Gessobord by Ampersand with two extra coats of acrylic gesso, I prefer Golden brand gesso
11x14 and 12x16
*do not bring canvas
Paint:
This palette has a mix of transparent and opaque color necessary
for this class.
White, lead or titanium
Cadmium yellow medium
Indian Yellow
Yellow Ochre
Venetian Red
Alizarin Crimson permanent
Burnt Umber
Raw Umber
Ultramarine Blue
Cerulean blue
Viridian
Chrome Oxide Green
Cadmium red medium
Phthalo blue
Brushes:
Soft synthetic flats or brights, full set size 0-10 (Trekell series 2510)
Soft synthetic rounds, small #5/0-2 (Trekell series 2500)
Bristle Bright sz 4 (for special effects)
Large fluffy round soft hair brush for blending (Loew Cornell Maxine Thomas Mop-large
& medium)
Liquin, and small lidded jar.
Gamsol and small lidded jar
Palette
Paper towels
Palette knife, 2” slender
Ruler
Shadow box:
18”x18” Cardboard box lined with neutral grays, earth tones or black Canson Mi-Teintes paper, to comfortably house your still life subjects
Drawing supply list:
Drawing/sketch paper in the same size (11x14) or larger than your painting panel
Drawing pencils, 2h, 2b, 4b, 6b
factis eraser, factis pen-style eraser
~*~*~*~*~*~*~*~*~*Still life material~*~*~*~*~*~*~*~*~*~*
Bring your favorite fruit, veggies, drapery and simple ceramic forms like cups, bowls or vases to create a still life.
Please write me with any questions: [email protected]

"Luberci's Figs" by Sarah Siltala