Debra Keirce


 

 

Painting Flowers Successfully With Carlo Russo

Please share this opportunity with anyone you think might be interested!

 

 

 

Would you like to paint beautiful florals confidently and more easily?

- Instruction is private, in my home studio, limited to 12 students

- Carlo will teach you how he overcomes the unique challenges and difficulties florals can present

- Learn how a good approach is key to painting flowers successfully. Avoid common mistakes.

- Each day in the workshop you will learn techniques for painting thoroughly, but with speed and accuracy

- Artists of all skill levels are encouraged to come and learn

 

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WHEN: April 6, 7, 8, 9 in 2017, 9:30am - 4:30pm

WHERE: Ashburn, VA

 

Tuition = $495

Tuition includes snacks, beverages, light lunch, use of easel, choice of flowers and still life items 

 Please indicate at time of payment if you require one of the 7 standing positions available. Also, indicate if you are right or left handed, if you want your still life to the right or left of your easel, and whether you have any sensitivities or odors or foods we should be aware of.

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Acceptable Payments: 

Check made out to:
Debra Keirce 
21454 Basil Court
Ashburn, VA 20148
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OR,
Call me at 571-236-0047 if you would like to provide credit or debit card information
Please note that credit card payment will be $514 to cover the 3.75% Square Register merchant fee.
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OR,
PayPal:paypal.me/DebKArt  Please send $510 to cover the 3% PayPal Fee.

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Payment in full is required to reserve a spot in the workshop, and you are committing to find a suitable replacement if you cannot attend for any reason. Less than 60 days before workshop dates, we will not be able to give refunds of any kind. For workshops with waiting lists, we can offer full refunds up to 60 days prior, minus the PayPal or Square Register fees if you paid using those methods.

 

NOTE: I do not advise the booking of non refundable travel and lodging tickets prior to 60 days before the workshop. I will contact students before the 60 day mark, in the unlikely event we will not be able to hold the workshop as scheduled.

 

 

Description:

In this 4 day class will focus on painting the floral still life in oils. Florals can be a daunting subject and we will try to make sense of the the beautiful forms which have fascinated and frustrated artists for centuries. Since flowers and plants tend to move from day to day and even hour to hour the students will draw and paint directly on the canvas with the brush only. The focus will be on capturing the essentials of the still life and finishing areas wet in to wet. Carlo will give frequent demonstrations and critique as we explore the unique nature of flowers and plants in paint. 

 

Visit Carlo's website at:

CarloRussoArt.com

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For more information please contact:  
Debra Keirce 
571-236-0047 

 

  • Materials list - Carlo Russo Floral Workshop
    Please note that the brushes and canvas are req uired for this
    class. All paint colors are highly recommended as many of
    them cannot be adequately substituted.
    Brushes- Rosemary and Company
    Synthetic Botanical Set - Required
    http://www.rosemaryandco.com/ gift-sets/brush-sets/michael-klein -set?
    filter_name=klein

    Masters choice long filbe rts and flats, sizes 2 and 4 (l ong handles) -  At
    least one size is req uired
    http://www.rosemaryandco.com/oil-brushes/masters-choice-oils/masters-
    choice-filberts

    Series 91 Pure Sable Filbert, sizes 4 and 6 (long handles) - At least one
    size is required
    http://www.rosemaryandco.com/watercolour-brushes/pure-red-sable/pure-
    sable-filbert

    Ebony Filberts, sizes 2, 4, 6 (long handles) - At least one size is required
    http://www.rosemaryandco.com/oil-brushes/ebony-oils/ebony-filberts
    In addition please bring an assortment of other brushes you may have
    in your collection.
    Paints-
  • These are my recommended brands.You may substitute other brands if
    you like but please avoid student grade paints such as Winton, Georgian
    etc. Please bring all of the colors listed.
    Titanium White - Winsor & Newton
    Cadmium Lemon - Winsor & Newton
    Cadmium Yellow Pale - Winsor & Newton
    Cadmium Yellow Deep - Rembrandt
    Yellow Ochre Light - Winsor & Newton
    Cadmium Orange - Winsor & Newton
    Transparent Red Oxide - Rembrandt
    Cadmium Red Light - Gamblin or Winsor & Newton
    Cadmium Red Deep - Winsor & Newton
    Alizarin Permanent - Gamblin
    Ultramarine Blue - Winsor & Newton
    Cobalt Blue - Winsor & Newton
    Pthalo Blue - Gamblin or Winsor & Newton
    Ivory Black - Winsor & Newton
    Quinacridone Magenta - Winsor & Newton
    Canvas- Required
    This is the linen I use. It is required so please order ahead of time so you
    receive your linen in time for the class. I would recommend purchasing
    enough for several paintings. I would recommend purchasing a sheet of at
    least 24x24”. A 24”x36” sheet should give you a little extra linen for several
    paintings. You may also purchase by the yard if you so desire. Order the
    "CARLO RUSSO PRIMING". This is his finest weave linen which comes
    pre-primed with lead and titanium priming. Tell him I sent you, please.
    AE canvas Priming, NY
    Angel Del la Cruz , phone# 718-665-3814 email: [email protected]
    MEDIUMS AND SOLVENTS-
    Turpenoid or Gamsol only please (both are odorless solvents)
    Stand Oil and Terpenoid 50/50 mix
  • OTHER MATERIALS-
    Artists Tape
    Small hand held mirror
    Palette, I use the a New Wave wood palette. 
    http://www.dickblick.com/products/new-wave-wooden-palettes/
    2 small palette cups for solvents
    paper towels

 

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The Power of Art is Real

It's not often that I post things this personal on my blog, but I feel like there may be other artists out there who are experiencing this very same thing. We talk about the power of art, but it wasn't until two weeks ago that I truly understood this power, and that this power is real. 

 

You see, my dad passed away two weeks ago at the breakfast table. In his peripheral vision, were paintings I did when I was 15, 16, and just last Christmas. My family lives in Michigan, and I live in Virginia. We didn't see each other as much as we would have liked, because of so many reasons. But when someone you love dies, those reasons don't seem important anymore.

 

I went to my father's funeral expecting to be overwhelmed with regrets for not visiting more often. Instead, when I entered the house he'd been in for a little over a year, I was overwhelmed by the fact that he could not look anywhere in that home, which had become his whole world at the end, without seeing a bit of me in it, through my artwork.  Here I was missing him and the whole time I was right there with him.

 

Extending this thought, I was moved to remember all the wonderful relationships art has brought to me in my life. My galleries, my peers, my friends - All of these connections are through the power of art. The Women. Artists. Mentors. (WAM - Artists Packing a Punch) group I'm going to Venice with in a few weeks, is a perfect example of how powerful art is. Here is a Bored Panda post I wrote about 0ur past and future endeavors.

 

So I thought I'd remind everyone, whether you are an artist or a collector. Don't ever underestimate the power of art. I did.

 

In loving memory of Eugene J. Wandzel

October 15, 1937 - March 18, 2016

 

Love and miss you Dad!

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